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Pushkin (Text Only)

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A major biography of one of literature’s most romantic and enigmatic figures, published in hardback to great acclaim: ‘one of the great biographies of recent times’ (Sunday Telegraph).

Alexander Sergeevich Pushkin is indisputably Russia’s greatest poet – the nearest Russian equivalent to Shakespeare – and his brief life was as turbulent and dramatic as anything in his work. T.J Binyon’s biography of this brilliant and rebellious figure is ‘a remarkable achievement’ and its publication ‘a real event’ (Catriona Kelly, Guardian).

‘No other work on Pushkin on the same scale, and with the same grasp of atmosphere and detail, exists in English… And Pushkin is well worth writing about… he was a remarkable man, a man of action as well as a poet, and he lived a remarkable life, dying in a duel at the age of thirty-seven.’ (John Bayley, Literary Review)

Among the delights of this beautifully illustrated and lavishly produced book are the ‘caricatures of venal old men with popping eyes and side-whiskers, society beauties with long necks and empire curls and, most touchingly, images of his “cross-eyed madonna” Natalya’ (Rachel Polonsky, Evening Standard).

Binyon ‘knows almost everything there is to know about Pushkin. He scrupulously chronicles his life in all its disorder, from his years at the Lycee through exile in the Crimea, Bessarabia and Odessa, for writing liberal verses, and on to the publication of Eugene Onegin and, eventually, after much wrangling with the censor, Boris Godunov’ (Julian Evans, New Statesman) and in this, ‘Binyon is unbeatable’(Clive James, TLS).

For the English-speaking reader, it's hard to comprehend the massive esteem in which Pushkin is held in his native Russia. While lip service is paid to his literary greatness on these shores, he is probably better known as the source of opera libretti (such as Tchaikovsky's Eugene Onegin) than for his actual writings, which is a great shame. TJ Binyon's remarkable Pushkin: A Biography should, hopefully, do something to redress the balance.

This is a model of its kind: a biography that carefully and assiduously marshals the facts about its fascinating protagonist, but refuses to push the reader into easy judgments. It is a celebration of a remarkable man. From Pushkin's early days as a combative anti-establishment rebel to the heights of his fame and success, Binyon relates (in elegant and balanced prose) the crucial events that formed the writer's genius. The colourful era of Russia in the 19th century is, of course, brought to life with evocative detail (Binyon is a Russian specialist, and his authority in this field knows few peers).

But the book is as much a biography of an era as it is of its charismatic subject. Pushkin's violent death was enshrouded in controversy (rather like that of Tchaikovsky, who famously set Pushkin's texts to music), and the cocktail of sex, jealousy and madness that precipitated his death from a bullet wound to the genitals is handled with trenchant skill. The final effect of all great biographies of writers should be to send the reader back to the work, and within the first few chapters of Binyon's sweeping and fastidious study, that is exactly the effect created here. --Barry Forshaw

Note that due to the limitations of some ereading devices not all diacritical marks can be shown.

A major biography of one of literature’s most romantic and enigmatic figures, published in hardback to great acclaim: ‘one of the great biographies of recent times’ (Sunday Telegraph).

Alexander Sergeevich Pushkin is indisputably Russia’s greatest poet – the nearest Russian equivalent to Shakespeare – and his brief life was as turbulent and dramatic as anything in his work. T.J Binyon’s biography of this brilliant and rebellious figure is ‘a remarkable achievement’ and its publication ‘a real event’ (Catriona Kelly, Guardian).

‘No other work on Pushkin on the same scale, and with the same grasp of atmosphere and detail, exists in English… And Pushkin is well worth writing about… he was a remarkable man, a man of action as well as a poet, and he lived a remarkable life, dying in a duel at the age of thirty-seven.’ (John Bayley, Literary Review)

Among the delights of this beautifully illustrated and lavishly produced book are the ‘caricatures of venal old men with popping eyes and side-whiskers, society beauties with long necks and empire curls and, most touchingly, images of his “cross-eyed madonna” Natalya’ (Rachel Polonsky, Evening Standard).

Binyon ‘knows almost everything there is to know about Pushkin. He scrupulously chronicles his life in all its disorder, from his years at the Lycee through exile in the Crimea, Bessarabia and Odessa, for writing liberal verses, and on to the publication of Eugene Onegin and, eventually, after much wrangling with the censor, Boris Godunov’ (Julian Evans, New Statesman) and in this, ‘Binyon is unbeatable’(Clive James, TLS).



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